MARK STEINMETZ | Greater Atlanta

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MARK STEINMETZ | Greater Atlanta

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ISBN: 978-1-59005-534-2
Hardcover, cloth, 10.5 x 12 inches, 88 pages, 73 plates.    

Highly regarded for his black-and-white portraits, Mark Steinmetz is renowned for producing powerful pictures that capture the strong sense of displacement and isolation felt by many young Americans. His celebrated trilogy “South” (consisting of South CentralSouth East, and Greater Atlanta) was published by Nazraeli Press between 2007 and 2009, and offers a lyrical and evocative look at American culture and notions of progress.

We are pleased to announce a new, remastered edition of these three important titles. The format, sequence and design are true to the original printings. The materials, however, have been upgraded; the books are now bound in cloth over board, and printed in quadratone on a special matte art paper.

Long out of print, South CentralSouth East and Greater Atlanta have been elusive goals for many libraries. This remastered release will be a welcome addition to any good library of photographic books.

Greater Atlanta

Mark Steinmetz completes his powerful and moving trilogy, 'South', with Greater Atlanta. Photographing in Atlanta and its outlying regions, Steinmetz provides his testimony on contemporary American civilization. Combining portraits and landscapes, he weaves a symbolic and lyrical investigation that subtly questions notions of progress. He further develops motifs — on the automobile, on the telephone — that were first introduced in 'South Central', and catalogues car culture, fast food, convenience stores, and suburban sprawl.

South is an elegant and quiet collection of black-and-white photographs drawn from the artist’s decades-long career photographing the southeastern United States, primarily in Georgia, Kentucky, Tennessee and Mississippi. Steinmetz’s images are imbued with an intrinsically Southern tenderness, melancholy and longing that is universally resonant. The work is documentary in nature but he brings a sublime seeing to his subjects, captured with a nod towards beauty and dignity and very much in keeping with the approach of Southern grace.” — LENSCRATCH

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